MISSISSIPPI-BRED SINGER PAUL THORN
TOO BLESSED TO BE STRESSED
OUT AUGUST 19
Paul Thorn’s new album Too Blessed To Be Stressed stakes out new territory for the popular roots-rock songwriter and performer. “In the past, I’ve told stories that were mostly inspired by my own life,” the former prizefighter and literal son of a preacher man offers. “This time, I’ve written 10 songs that express more universal truths, and I’ve done it with a purpose: to make people feel good.”
The title track which borrows its tag from a familiar saying among the members of the African-American Baptist churches Thorn frequented in his childhood. “I’d ask, ‘How you doin’, sister?’ And what I’d often hear back was, ‘I’m too blessed to be stressed.’” Thorn’s trademark humor is abundant throughout the album, which will be released August 19 2014 on Perpetual Obscurity/Thirty Tigers.
“Backslide on Friday” is a warm-spirited poke at personal foibles. “I promised myself not to write about me, but I did on ‘Backslide,’” Thorn relates. The chipper pop tune is a confession about procrastination, sweetened by Bill Hinds’ slide guitar and Thorn’s gently arching melody. “But,” Thorn protests, “I know I’m not the only one who says he’s gonna diet and just eat Blue Bell vanilla ice cream on Sundays, and then ends up eating it every day!”
“Mediocrity Is King” takes a wider swipe, at our culture’s hyper-drive addiction to celebrity artifice and rampant consumerism. But like “Everything Is Gonna Be All Right,” a rocking celebration of the simple joys of life, it’s done with Thorn’s unflagging belief in the inherent goodness of the human heart.
“I don’t think I could have written anthemic songs like this if I hadn’t made my last album,” Thorn says of 2012’s What the Hell Is Goin’ On? Like 2010’s autobiographical Pimps & Preachers, it was among its year’s most played CDs on Americana radio and contributed to Thorn’s rapidly growing fan base. And Thorn followed that airplay success with his AAA radio hit version of “Doctor My Eyes” from April 2014’s Looking Into You: A Tribute to Jackson Browne.
What the Hell Is Goin’ On? was also Thorn’s first set of songs written by other artists, borrowed from the catalogs of Allen Toussaint, Buddy and Julie Miller, and Rick Danko, among others.
“I lived with those songs and studied them before I recorded that album, and that changed me and made me grow as a songwriter,” Thorn relates. “Lindsey Buckingham’s “Don’t Let Me Down Again” especially got me thinking. It was a rock anthem with a sing-along hook, and I fell in love with it and the idea of big vocal hooks. So every song on Too Blessed To Be Stressed has a big vocal hook in it. And it works! We’ve been playing these songs in concert, and by the time the chorus comes along for the second time people are singing along. I’ve never seen that happen with my unreleased songs before, and I love it.”
It helps that those big vocal hooks on Too Blessed To Be Stressed are being reinforced by the sound of Thorn’s flexible and dynamic band, as they have been doing for years in concert. During their two decades in the club, theater and festival trenches, the four-piece (guitarist Bill Hinds, keyboardist Michael “Dr. Love” Graham, drummer Jeffrey Perkins and bassist Ralph Friedrichsen) and their frontman have garnered a reputation for shows that ricochet from humor to poignancy to knock-out rock ’n’ roll.
Thorn was raised in Tupelo, Mississippi, in the land of cotton, catfish and churches. “My father was a preacher, so I went with him to churches that white people attended and churches that black people attended,” Thorn says. “The white people sang gospel like it was country music, and the black people sang it like it was rhythm and blues. But both black and white people attended my father’s church, and that’s how I learned to sing mixing those styles.”
Thorn possessed the ability to charm audiences right from the start. Not only with his music, but with the stories he tells from the stage. “Showmanship is a dying art that I learned from watching Dean Martin on TV when I was a kid,” Thorn explains. “He could tell little jokes and then deliver a serious song, then make you laugh again. And he would look into the camera like he was looking right at you through the TV. That’s what I want to do — make people feel like I’m talking directly to them.”
That’s really Thorn’s mission for Too Blessed To Be Stressed, which can be heard as a running conversation about life between Thorn and listeners — a conversation leavened with gentle insights, small inspirations and plenty of cheer.
“I wrote these songs hoping they might put people in a positive mindset and encourage them to count their own blessings, like I count mine,” Thorn observes. “There’s no higher goal I could set for myself than to help other people find some happiness and gratitude in their lives.”